Birthday Song
Lyrics
And though, my darling,
There is another side you never see
Another side (2)
And know, darling,
You know it’s there, on the right
I’m pointing to it now
While you, your fragrance drags
It conveys me to the country
And is...
this...
your birthday?
As if by flight, behold
I am sat in a leafy winding spiral ablaze
Clad stones
Stocked up with pebbles
Rumbling
Trying to, like you, navigate without pains
And in dreams I stumble towards you, (3)
Knees knocked, as you evaporate
Though I am teed up (4)
I am in the next room with you always (5)
Notes
1. From Reformation:
Julia Adamson on the track: "It was initially an instrumental I called it Birthday Song as it was
my sister's birthday and I gave it to her on a CD for a present.
MES always liked it. On a separate occasion I asked him to write a
'love' poem and after a couple of goes was finished and fabulous I thought.
MES decided to put the instrumental and poem together for The Marshall Suite."
A very short excerpt of this is heard at the end of "Ibis-Afro Man."
2. Note Mike Watts's comment, "the phrases are similar to those of a medium talking through a 'spirit guide'."
3. Dan points out the allusion to Roy Orbison's "In dreams I walk with you." His entire comment below (comment 1) is outstanding, in fact; do not skip it.
4. "Teed up" can mean ready to go, as in a golf ball on a tee, or it can mean intoxicated.
"To follow up on the 'spirit medium' angle of the song, "I am in the next room' could be inspired by a line from 'Death is Nothing at All,' a popular poem for funeral services.
That poem, by Henry Scott Holland (1847 - 1918), has 'I have only slipped away into the next room' as its third line."
(See More Information for the text of the poem)
More Information
Birthday Song: Fall Tracks A-Z
Death Is Nothing At All
Death is nothing at all.
It does not count.
I have only slipped away into the next room.
Nothing has happened.
Everything remains exactly as it was.
I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged.
Whatever we were to each other, that we are still.
Call me by the old familiar name.
Speak of me in the easy way which you always used.
Put no difference into your tone.
Wear no forced air of solemnity or sorrow.
Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me.
Let my name be ever the household word that it always was.
Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant.
It is the same as it ever was.
There is absolute and unbroken continuity.
What is this death but a negligible accident
Why should I be out of mind because I am out of sight
I am but waiting for you, for an interval, somewhere very near, just round the corner.
All is well.
Nothing is hurt; nothing is lost.
One brief moment and all will be as it was before.
How we shall laugh at the trouble of parting when we meet again!
Henry Scott Holland
Comments (18)
- 1. | 13/11/2016
- 2. | 19/11/2016
- 3. | 30/11/2016
- 4. | 09/04/2018
The first verse takes me back to 'Live At The Witch Trials', those songs about mediums and spirits - the phrases are similar to those of a medium talking through a 'spirit guide'.
The second verse is more poetically cryptic, but the last line appears to me, to be a spirit talking to the living through a medium...
(if you read the notes on this website about the Fall's song 'Psykick Dancehall, http://annotatedfall.doomby.com/pages/the-annotated-lyrics/psykick-dancehall.html
you will see that Mark was fairly knowledgeable about mediums...)
- 5. | 05/05/2018
- 6. | 09/07/2018
- 7. | 11/09/2018
- 8. | 13/10/2018
- 9. | 13/10/2018
- 10. | 13/10/2018
But I'm also now hearing "And though" as "And Oh..."
- 11. | 17/10/2018
- 12. | 21/10/2018
Right now this is indeed sounding like a toss-up via headphones. This is such a beautiful narration I'd love to get it right. There was never another version recorded, was there?
(time passes) Yes, Reformation! has it played live 23 times! I don't think I have any of those. I would like to put out a plea to anyone who has one or more of these to please check it out, although it's possible he never gives that line at all, I'm not sure what a live version of this particular number actually implies, as I've never heard one...
- 13. | 21/10/2018
- 14. | 16/10/2019
That poem, by Henry Scott Holland (1847 - 1918), has 'I have only slipped away into the next room' as its third line.
Full poem here:
https://www.thefuneralpoem.com/10/famous-poets-poems/henry-scott-holland/27/death-is-nothing-at-all-death-poetry-verses?paid=13
- 15. | 13/11/2019
- 16. | 16/11/2019
- 17. | 17/09/2023
- 18. | 06/10/2023
"While you, your fragrance drags me to the country"
The word Drags is crossed out, with "conveys" written above,, to be more poetical-ish. The narrator reads from the page As Is, saying the crossed out drags then (with possible tape edit) inserting the amended "it conveys me."
This is what I saw, listening at 16:01 Oct. 6 2023.
"There is another side you never see
Another side
And know, darling,
You know it’s there, on the right
I’m pointing to it now"
Those lines seem really funny. "There's another side you never see" can mean a quality of personality, maybe a romantic side not usually displayed. But here is seems to literally mean another side - "look, there, I'm pointing at it!" Very ambiguous.
"While you, your fragrance drags
It conveys me to the country"
To describe a fragrance (a perfume, or bodily odour?) as "dragging" seems a negative, and while being conveyed to the country could be taken to mean something fresh and natural, it could also mean smelling of manure.
"And is...
this...
your birthday?"
Has the narrator forgotten? Are they not sure?
"I am sat in a leafy winding spiral ablaze"
Did someone set fire to a hedge-maze? Or is this verse about the country to which the narrator has now been conveyed?
"Clad stones
Stocked up with pebbles
Rumbling"
Dry stone walls are often plugged with smaller rocks and pebbles. Does "rumbling" indicate the wall is falling down?
"Trying to, like you, navigate without pains"
Do we associate the narrator with MES, who suffered from broken hips and would presumably find navigation painful some of the time.
"And in dreams I stumble towards you"
Roy Orbison's song "In Dreams", has the line:
"In dreams I walk with you"
"Knees knocked, as you evaporate"
Roy Orbison's "In Dreams" has the lines:
"But just before the dawn
I awake and find you gone"
"Knees knocked" could mean bumping knees, or it might mean the involuntary fear-reaction. Or it's part of the "stumbling" image.
"I am in the next room with you always"
Always being in the next room is a phrase that would normally indicate something being always just out of reach. Here the narrator and the subject of the song seem to be together in the next room, which seems ambiguous. Not in "this" room?