Hip Priest
Lyrics
He is not appreciated.
He is not appreciated.
He is not appreciated.
Drink the long draught, Dan,
for the hip priest. (2)
I said drink the long draught, Dan,
for the hip priest!
He is not appreciated
He is not appreciated
White collar hits motorway services (3)
It's the hip priest
From the eyes he can see, they know
It's the hip priest
He is not appreciated.
It's purple psychology. (4)
Not just an old lady's.
That's hip hip hip hip hip hip hip hip hip priest
That's hip hip hip hip hip hip hip hip hip priest
And he's gonna make an appearance.
He's gonna make an appearance.
Was shown in a freakshow early on.
And drunk from small brown bottles since I was so long. (5)
Cause I'm a hip priest
Cause I'm a hip priest
People only need me when they're down and gone to seed.
Cause I'm a hip priest
Cause I'm a hip priest
It's appreciation half won (6)
And they hate their allegiance to hip preacher one.
Hip Priest
I got my last clean dirty shirt outta the wardrobe (7)
I got my last clean dirty shirt outta the wardrobe
And all the good people know
That's hip hip hip hip hip hip hip hip hip priest
All the young groups know
All the young groups know
They can imitate but I teach, because I'm a Hip Priest.
I'm as clean as a packet of chocolate Treets. (8)
One-time feast was tray o'grease, hip priest
I practise bad unafeared art
That's hip hip hip hip hip hip hip hip hip priest
And if the good people knew they would say
He is not appreciated
He is not appreciated
So drink the long draught, Dan,
for the hip priest
Notes
1. This song has variously been interpreted as a sarcastic screed about a journalist or muso and a commentary on Mark E Smith himself. Like many Fall songs, either interpretation works. It seems to be about a character type which we may plausibly conclude MES both participates in to a certain degree, and also has a bit of contempt for. A snippet of the song was included in the 1991 movie The Silence of the Lambs.
Paul Hanley, in Have a Bleedin Guess p. 55 (thanks to Dan):
The 'Hip' part of the title is a pun, referring both to the hipster-priest type that Mark casts himself as, and also as an acronym for 'hypnotic induction process', a phrase , referring to the act of putting someone under hypnosis, that Mark uses in the lyric to 'Just Step S'ways' and on the version of 'Hip Priest' captured on A Part of America Therein. This is possibly also the source of the made-up word 'Enduction' in the album's title.
For The Record submits:
"The Hypnotic Induction Profile was first outlined in Spiegel & Spiegel's "Trance and Treatment" in 1978. The 2004 edition says;
'Structured to reflect the flow of a typical evaluation and treatment session, this fascinating work focuses on how to use the authors' Hypnotic Induction Profile (a crucial 10-minute clinical assessment procedure that relates hypnotizability to personality style.'"
Courtesy of Reformation:
MES, from a Rock on BBC Radio I interview; 1982:
" It was a bit of a joke on the group cos they're all like catholics...it's meant to be a bit of a funny song...I have an image of Johnny Cash or somebody, I don't know why...or South America."
Zack supplies a very suggestive tidbit:
"From Wikipedia's article on Prestwich, where MES lived most of his life:
'Prestwich is possibly of Old English origin, derived from preost and wic, which translates to the priest's farm. Another possible derivation is priest's retreat.'"
Dan: (Posted by someone called David Abdy to The Mighty Fall facebook page)
From The Easter Parade by Richard Yates, page 234 (1976, first published in 1978 in the UK):
'Jesus, Peter. I hope you do better than that in your sermons.'
'Better than what?'
'Using phrases like “outmoded sociological concepts.” What are you — one of these “hip” priests?'
'Oh, I guess I'm fairly hip, yes. You have to be, if you're working with young people.
p222 of the linked edition, which is published by Vintage 2008. It seems to have been regularly republished over the years. p224 of the original edition, I think.
Hexen Blumenthal points out that this song owes its origin to "Hotel Me," written by Gil Evans and Miles Davis and recorded on the 1963 album The Individualism of Gil Evans. The opening drumbeat and the descending melody of the "He is not appreciated" refrain seem to come from Evans's song...
2. It is not clear whether "Dan" refers to anyone in particular, or is just a placeholder like "Mack" or "Bub." On the other hand, a reader suggests the following:
'Dahn' - pronounced darn - is Yorkshire dialect for 'down'. The line is 'Drink the long draught dahn' (drink the long draught down). There is no Dan.
In MES' draft in the orange lyrics book the word is both written and typed "Dan." It is possible that this is for phonetic reasons, and the lyric means "down," but this is a bit of a leap. On the other hand, a young reader going by the name Kriss Draynepipe--clearly a punk rock pseudonym-- quite plausibly suggests, "Do you think, going with the Yorkshire suggestion, that MES is just fucking with the 'drink the long draught Darn' expression by inserting 'Dan'? You say its a bit of leap to think he means 'down'-- maybe its both the expression and his classic alteration." This seems entirely possible, and disposes me to think favorably of the Yorkshire hypothesis... The line in fact sounds something like "Drink the long draught, damn!" to me.
Bob has suggested it may refer to Danny Baker, who championed the Fall very early on. Nick points out a couple of potentially significant phrases--in a review from ZigZag (February/March 1978, pp. 7, 8, 38) he writes "There is no anger on the band's part just a sort of dry disgust. Nothing to do with 'you should appreciate us' thinking but a sort of what is the fucking point?" and "We are managed by Kay Carroll who feels insignificant amongst those 'hypnotic merry innovators' and whose main aim is to fend off bullshitters" (see note 4 above). Maybe I'm really stretching now, but I'll add "Maybe the only thing is to appeal to your sense of cultishness (!) and say it's hip to see them before they get BIG."
Dan (our Dan, that is) points out that the phrase appears in some translations of Vergil, for instance in John Conington's 1866 translation Aeneas's father, Anchises, says to him "There are spirits to who Destiny has promised new bodies, there at the side of Lethe's water, drinking the wave of carelessness, and the long draught of oblivion."
Dan sums up: "In Greek mythology the Lethe is one of the five rivers of Hades; it is the river of forgetfulness or oblivion. To drink from its waters is to forget your past life."
Paul Hanley Have a Bleedin Guess p. 56:
'Drink the long draught Dan' has more than an echo of a line from Charlotte Brontë's Jane Eyre - 'I rose, bathed my head and face in water, drank a long draught'.
3. British "motorway services" are the equivalent of "rest areas" in the United States. See note 8 below. A white collar, of course, is worn by a priest.
4. The poem "Warning" by Jenny Joseph begins: "When I am an old woman I shall wear purple" (see More Information below for the rest).
Jenny Joseph died on January 8, 2018, a little over two weeks before MES did (thanks to Dan). She was 85, but it's unknown whether she was in the habit of wearing purple. At least, it's not known to me...
From A Part of America Therein:
"It's purple psychology leech / hypnotic induction process"
Grottyspawn points out "Hypnotic Induction Process" (and of course the first syllable of "hypnotic" makes the allusion multiply to almost fractal dimensions...or something).
See note 9 below.
5. Why "small," when the draughts are presumably long? Zetetic suggests the bottles may have contained liquid LSD, although if you "drank" that from the bottle it'd be a long draught indeed...
Dan: If these are not ale bottles, or miniatures of some other beer or spirit, then I think it's more likely they are medicine bottles of some kind - cough mixture? - than LSD. But it could also be a reference to amyl nitrate ('poppers'), except you don't drink that - you sniff it.
I am pretty sure, however, that MES is talking about beer bottles.
Dan points out the line in "Cowboy George" that runs:
I had two brown bottles
And a white nose as I entered
Five years of confinement
My first thought would be speed and beer...note that the bottles in "Cowboy George" are also said to be "broken."
6. Thus the orange lyrics book, but on Hex Enduction Hour it sounds like "It's appreciation hard won." On A Part of America, Therein, on the other hand, "half" sounds relatively clear.
6. This probably derives from "Sunday Morning Comin' Down," written by Kris Kristofferson and recorded by Kristofferson, Ray Stevens, and, perhaps most notably, Johnny Cash: "I fumbled in my closet through my clothes/And found my cleanest dirty shirt". "Fiery Jack" also echoes Johnny Cash, for whom Mark E. Smith has expressed admiration (see note 1 for more). Also, Dom points out that R. Dean Taylor recorded the song; the Fall recorded two of his songs, "There's a Ghost in my House" and "Gotta See Jane." So I think we can conclude that MES almost certainly knows the song.
7. Treets are a chocolate candy similar to M&Ms, and also sold by Mars. The famous advertising slogan "Melt in your mouth, not in your hand" has been used for Treets, as well as for M&Ms, and this may explain why MES calls them "clean." On the version of 9/12/81 at Austurbaejarbio in Iceland, MES sings: "I'm as clean as a packet of Treets--M&M Treets," removing any doubt as to the reference of the lyric.
In the context of motorway services, an echo here (intentional or not) of Roy Harper's song "Watford Gap" from his 1977 album Bullinamingvase. Watford Gap being a famous, or infamous, service station. The lyrics included these lines, among other disparaging ones. You'll see why I'm quoting these in particular: "It's the Watford Gap, Watford Gap/A plate of grease and a load of crap." The owners of the service station, Blue Boar, objected. Stories vary, but either they sued or threatened to sue, or one of their directors who was also on the EMI board applied pressure. At any rate the song was dropped from the album and not restored until a 1996 re-release. The Kinks also bemoaned the food at motorway services in the 1972 song "Motorway," as Martin points out:
Motorway food is the worst in the world,
You've never eaten food like you've eaten on the motorway.
Motorway food is the worst in the world,
The coffee tastes weak and the cakes taste stale
And gasoline fumes are the worst to inhale,
Your stomach rolls over and your face turns pale.
9. At around this spot on some live versions, we learn of the Priest's "hypnotic induction (enduction?) process." See note 4 above.
More Information
When I am an old woman I shall wear purple
With a red hat which doesn’t go, and doesn’t suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we’ve no money for butter.
I shall sit down on the pavement when I’m tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people’s gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practise a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.
From Dan:
From the Dutch pop/rock 'paper Muziekkrant Oor, #5, 12 March 1983, pp.8-11
De teksten zijn erg belangrijk, bij The Fall?
Ja, ja, ja.
Toch zijn ze soms erg moeilijk te volgen.
Ledereen mag er van mij uithalen wat hij kan, zo beIangrijk zijn ze nu ook weer niet. Bovendien is het een vorm van zelfbescherming: Ik wil niet dat mensen alles van mij weten. Daar hou ik niet van. Niet al mijn werk is persoonlijk, maar een deel ervan wel. Begrijp je wat ik wil zeggen? Ik schrijf veel objectieve dingen, zoals Lie Dream of a Casino Soul. Er zijn mensen die denken dat dat over mezelf gaat, maar dat is niet zo. Hip Priest idem dito, dat is vaak verkeerd begrepen. Het zijn gewoon sterke beelden, die mensen aan het lachen maken. Er zitten ook persoonlijke dingen in Hip Priest, vrij dualistisch. Verbazingwekkend hoeveel nummers er sindsdien zijn uitgekomen met het woordje "hip" erin.
Translation, based on translate.google.com
The lyrics are very important, in The Fall?
Yes Yes Yes.
However, they are sometimes very difficult to follow.
Everyone can get what he can from me, they are not that important. Moreover, it is a form of self-protection: I don't want people to know everything about me. I do not like that. Not all of my work is personal, but some of it is. Do you understand what I am saying? I write a lot of objective things, such as Lie Dream of a Casino Soul. There are people who think it is about myself, but it is not. Hip Priest ditto, that's often misunderstood. They are simply strong images that make people laugh. There are also personal things in Hip Priest, quite dualistic. Amazing how many songs have been released since then with the word "hip" in them.
Comments (115)
- Who the buggery is this Dan feller? (He's definitely saying "Down" on the live recording - that I'm personally better aquainted with)
And from the Live version (on "A Part of America Theirin"):
"It's Purple Psychology leech / Hypnotic induction process"
Also: I think the "Small Brown Bottles" refers to LSD (Lysergic Acid Diethylamide) when not in blotter form / large quantities famously comes in "Small brown bottles"
So the line "I've been drinking from small brown bottles since I was - so long" essentially means "I've been 'expanding my mind' for years (cuz he's a Hip Priest).
You could be right about LSD but it seems like the less obvious surface reading. On the other hand, the fact that the bottles are said to be "small" is perhaps an indicator you are right, boozers usually don't brag (or moan) about the smallness of their draughts which are, in any case, said here to be "long." You may be onto something.
Tom: good thought, though, thank you.
Bob: https://www.youtube.com/watch?v=iYDTaAZAQns
From Virgil, "The Aeneid", book VI
Now, that's the C. Day Lewis translation (first published 1952). But other translations have "the long draught of oblivion". Or "draught of long oblivion".
In Greek mythology the Lethe is one of the five rivers of Hades; it is the river of forgetfulness or oblivion. To drink from its waters is to forget your past life. https://en.wikipedia.org/wiki/Lethe; https://en.wikipedia.org/wiki/River_Lethe_in_popular_culture
Relevant? I have no idea, as usual, but it's a new angle.
Dan
There is an obvious point here about the white collars worn by priests, but "white collar" also denotes office worker as opposed to "blue collar" manual workers in the UK. We talk about "white collar" trade unions, e.g. in the civil service. The line almost suggests a newspaper headline, a motorway service station has been disrupted by a trade dispute with a white collar union.
But just to note how colour is used in this song:
"white collar"
"purple psychology"
"small brown bottles"
If these are not ale bottles, or miniatures of some other beer or spirit, then I think it's more likely they are medicine bottles of some kind - cough mixture? - than LSD. But it could also be a reference to amyl nitrate ('poppers'), except you don't drink that - you sniff it.
So the first section is the narrator introducing the Hip Priest (i.e. here he is in his clerical collar pulling up at the motorway services), the second section is the Hip Priest speaking, and then the final verses are the original narrator summing up - "there you are, that was the Hip Priest".
It seems evident that the Hip Priest is a character, and not MES himself. However, it's also evident that MES saw something of himself in the character, and his audience certainly did, singing "he is not appreciated" back at him for years.
I'm not saying you're wrong, I'm saying there's no real evidence.
In the context of motorway services, an echo here (intentional or not) of Roy Harper's song "Watford Gap" from his 1977 album Bullinamingvase.
Watford Gap being a famous, or infamous, service station: https://en.wikipedia.org/wiki/Watford_Gap_service_station.
The lyrics included these lines, among other disparaging ones. You'll see why I'm quoting these in particular:
The owners of the service station, Blue Boar, objected. Stories vary, but either they sued or threatened to sue, or one of their directors who was also on the EMI board applied pressure. At any rate the song was dropped from the album and not restored until a 1996 re-release.
"Motorway food is the worst in the world,
You've never eaten food like you've eaten on the motorway.
Motorway food is the worst in the world,
The coffee tastes weak and the cakes taste stale
And gasoline fumes are the worst to inhale,
Your stomach rolls over and your face turns pale."
I could have SWORN he said "Trip the long draught"
Jenny Joseph died on 8th January 2018:
Jenny Joseph reading her poem, "Warning":
[url=https://youtu.be/8cACbzanitg]https://youtu.be/8cACbzanitg
Link the BBC obituary: http://www.bbc.co.uk/news/entertainment-arts-42700952
Link to Jenny Joseph reading "Warning":
https://youtu.be/8cACbzanitg
Also if treets is a brand name, should it not be capitalised? (Pedants' corner)
Ah, I just listened to APOAT and to me it sounds clear he says "half-won" there, much clearer than on Hex in fact.
Here is Danny Baker’s ZigZag review from 1978:- ZigZag, complete with mentions of being ‘appreciated’ and ‘hypnotic’.
Dan = Danny Baker (at least tangentially).
Also, at times like this I traditionally point out gaps of timing, and in this case Hip Priest was first performed in March 1981, and the ZigZag review was published in February/March 1978, 3 years before.
Mind you, it's very much an open and interesting question how far the lyric should be taken to be self-referential or an objective portrayal of the motorway-services priest character. When reworked later into Big New Priest/New Big Prinz, the double-meaning is much clearer (it does also serve a non-autobiographical function in the Curious Orange 'narrative', of course) and when performed live there was no doubt of the intention. But here, is MES identifying himself with the Hip Priest, or does he incorporate aspects of himself, or reactions/reviews, into the character portrait? Or bits of both?
And the kids would run these fellas a bit ragged, coz they were so hip and cool and not the old austere priests off the altar.
One of the hip priest brigade gave me a penance of washing up after hearing my confessions.... That was the last time I let one of them near my supposed sins... Far easier to kneel and say a few Hail Mary's.
I know another one who a few years back on meeting my dog said "bring her in. Let her off." so I did, she had a great time in gods house did the dog, running all around the altar part.
They must still be a phenomenon, and you can see it in their eyes these strange hip priests. Full of the holy spirit handling hip flasks.
"Prestwich is possibly of Old English origin, derived from preost and wic, which translates to the priest's farm.[2] Another possible derivation is priest's retreat."
I also didn't think "hip priest" needs to be capitalized but now that I've changed it I feel like maybe it was better that way...oh well, I'm not going to change them all back right now, anyway.
What do you think, Dear Readers---capitalize "Hip Priest" where it appears in the text, or no?
Btw, the Hip Priests and Kamerads album was made up of tracks released on the Kamera label.
Also priests have white collars baby.
I can't believe I never mentioned this, I guess it seemed too obvious...checking into "Hotel Me"
EDIT
OK, more than the drumbeat....this is a huge find, HB!
Do you not think that "since I was so long" is just a play on the common idiom "since I was so high" -- i.e. meaning since I was small, since I was a child, or (if you're from Yorkshire) "since I were nobbut a lad" -- just exchanging one dimension for another?
#61--that's a relief, I mean it isn't called "Hip Accountant" (duh! no such thing)
See here for reference: https://en.m.wikipedia.org/wiki/Liturgical_colours
That said, I believe the other interpretation, referring to the poem, it’s sure the best.
Of all the comments on this page, only #46 takes the title at face value. That is, the song is about a priest who is hip: trendy and attempting to appeal to young people.
Starting from that, you can interpret quite a lot of the lyrics as depicting a hip priest who (at least from MES's point of view) leads a dull and soulless life. He eats grease at motorway cafes (if you want to be super pretentious, there is a eucharistic element to "one-time feast was tray o'grease"), has run out of clean shirts, and while he tries to appeal to the youth, he feels unappreciated (the kids barely tolerate him or resent him). He is probably also a drunkard. Beyond that, either the hip priest or MES himself doubts his religious message: it is or has become a tacky pop psychology. ("Purple psychology" reminded me of something, and after some thought I worked out that it was those post-'60s cults that make people wear clothes of one colour. Turns out the members of the Bhagwan Shree Ragneesh cult mostly wore orange or red though.)
Of course the character of the hip priest may have similarities to MES himself, but I feel that one aim of the song is to describe the priest himself and not some analogous person. I was also reminded (see my comments on "Hostile") of the "Sheffieldism" of the Nine O'Clock Service, but while MES had met the "hip priest" of that movement by the time this was written, the NOS hadn't actually begun.
(Have a Bleeding Guess (p.56).
For my part, I wonder if Brontë is not also referencing Virgil :-)
From The Easter Parade by Richard Yates (1976, first published in 1978 in the UK):
Google Books link
p222 of the linked edition, which is published by Vintage 2008. It seems to have been regularly republished over the years. p224 of the original edition, I think.
For cast iron references see Papal Visit and Hey! Luciani.
Various editions of The Easter Parade are also in the Internet Archive, so maybe link to that?
https://archive.org/search.php?query=easter%20parade%20yates
You might need an archive.org account.
But let's try a link:
https://archive.org/details/easterparade00yate/page/234/mode/2up?q=better+than+what%3F
Translation, based on translate.google.com
Note also probably coincidental "lay of the land" phrase!
MES whispers the line, but this is what follows:
Same line can be heard on the Peel session version.
MADNESS - BLUE SKINNED BEAST, NOV - 1982
'Three cheers to the blue skinned beast hip hip hip hip
To the blue skinned beast hip hip'
Archived:
https://timstwitterlisteningparty.com/pages/replay/feed_477.html
Paul Hanley asked:
@prodnose being Danny Baker.
No response from Baker.
https://twitter.com/hanleyPa/status/1317543149556871170
Not just an old lady's"
There is the well known psychedelic song 'Granny Takes a Trip' by The Purple Gang, who were from the Stockport area, and named after a notorious mob in 1920s Detroit, mentioned by Elvis in 'Jailhouse Rock' as the "whole rhythm section" . The band dressed like gangsters - Pete Boyd was their producer and John Peel was a fan. The song caused a fair bit of controversy because of the word "trip" and was banned by the Beeb. It didn't help that the singer, Pete Walker, was nicknamed Lucifer - he was in a coven, "The Witches of Alderley Edge", led by some old Crowley disciples who supposedly pranced naked around some local stone circle in the woods. The band had a lot of bad luck and at one time guitarist Joe Beard - who went to the same school as Ian Curtis, the King's School, Macclesfield - requested an exorcism from a priest (a hip one presumably) from Austria, who was a fan of theirs. See his autobiography Taking the Purple - The Extraordinary Story of The Purple Gang - Granny Takes a Trip… and All That.
Actually the group took the song's name from a Kings Road boutique, and it is about an old lady going to Hollywood once a year for the movie auditions.
"She always turns up, but she's always turned down".
It's in a very American sounding jug band style, but with the kazoo featuring prominently, possibly an influence on The Fall as in, for example, 'New Face in Hell' - what goes on?
A better bet for Fall fans for a song from a Stockport based '60s band (originally from Liverpool) would be Wimple Winch's famed 'Save My Soul'. The group also had its share of bad luck as the club above which they lived and were the house band for, The Sinking Ship, burned down with all their equipment in it. Perhaps rival Pete Walker was doing a jig in the woods again!
I'm not sure the "changing one dimension for the other" thing is merely arbitrary, though. It might be reaching, but maybe he says "since I was so long" because the hip priest is more often lying down than standing up, i.e., bedridden/slothlike from a young age? this would fit in with the idea that the "small brown bottles" are some kind of prescription medicine.
"Structured to reflect the flow of a typical evaluation and treatment session, this fascinating work focuses on how to use the authors' Hypnotic Induction Profile (a crucial 10-minute clinical assessment procedure that relates hypnotizability to personality style"
The '78 edition with its pleasingly Arvo Part-ishly named authors could have been in Smith's orbit, or the assessment test referenced elsewhere.
https://archive.org/details/trancetreatmentc00spie
"Hypnotic induction" on its own appears at least from the 19th century.
This is because Taylor's 1970 album (only of only two he seems to have released), I Think, Therefore I Am, contains not only his cover of Sunday Morning Coming Down, but also Gotta See Jane and Indiana Wants Me. The Fall's cover of the former incorporates a lyrical quote from the latter.
The album also includes the track Woman Alive, which is quoted in the Fall's song Shift-Work.
Link to Discogs
Of course, we don't know if MES did actually have the album. He may just have had or been familiar with Taylor's singles. But that all these sources (if not There's a Ghost in My House) were on the same album seems not insignificant.
I was going to add your comment to FTR's, but decided instead to remove that one, since the H.I. Profile isn't really that noteworthy on reflection---except as something to keep in mind, in case some reason to suspect a connection presents itself to us.
Cool Water
All day I've faced the barren waste
With out the taste of water... cool, water
Ole Dan and I, with throats burned dry
And souls that cry
For water... cool, clear water
The nights are cool and I'm a fool
Each star's a pool of water... cool, clear water
And with the dawn I'll wake and yawn
And carry on
To water... cool, clear water
The shadows sway and seem to say
Tonight we pray for water.... cool, clear water
And way up there He'll hear our prayer
And show us where
There's water... cool, clear water
Keep a-movin' Dan. Don't you listen to him Dan
He's the devil, not a man
He spreads the burnin' sand with water
Say Dan can't you see that big green tree
Where the water's runnin' free
It's waiting there for you and me
And water.... cool, clear water
Dan's feet are sore he's yearnin' for
Just one thing more than water.... cool, clear water
Like me I guess he'd like to rest
Where there's no quest
For water... cool, clear water
I used to make a connection to the original Gene Vincent Rollin' Danny, but I like yours better. Doesn't have to be intended by MES to work, of course.
Hi Danny, when I first heard the song I thought of the hip priest as a sort of maverick holy man, but not in any way evil. However, if it is the case that MES is borrowing the Dan reference from Cool Water (which he may well have heard given his early love of US music from the 50's and 60's), then on rereading the lyrics you can see it is plausible that actually the hip priest is in fact an evil force (not that I think of MES that way as a person - I think he was a courageous and uniquely talented singer/poet whose aim was ultimately one of good by holding up a mirror to society). Examples from the lyrics to back up this interpretation are: i) "people only need me when they're down or gone to seed" (people in this unfortunate position can reach out for "good" but sadly they may also be dragged down more, and one might think of this as the work of the devil), ii) "I got my last clean dirty shirt outta the wardrobe" (this line always confused me, but it makes sense if his shirt is literally clean (laundered), but dirty because of him wearing it for his dirty work), iii) "I'm as clean as a packet of Chocolate Treats" (i.e. not clean! - maybe, in inimitable MES style, he's spelling it out for us in a metaphor), iv) "One-time feast was tray o'grease, hip priest I practise bad unafeared art" (again, this is pretty direct if MES is portraying the hip priest as evil - a feast that is dirty and not nourishing, and practicing the dark arts), and finally v) "and if the good people knew they would say he is not appreciated" (so, in the interpretation of the hip priest being evil this line has a very different interpretation to the one I had before, namely, "if the good people knew" [meaning because he is evil the good people are unaware of him], he would not be "appreciated", meaning would not be liked or tolerated, rather than not be given his due regard). So, I think it's a possible interpretation of the hip priest as a devil or demon, but again I never thought that at all until making the connection to the evil presence trying to convince Dan to drink water from the burning sands in Cool Water.
I meant to say that I have no idea what it adds, if anything, to this song!
Comment #107, "john". Why did you think that? Is "Dan" a generic Catholic name? Not to my knowledge, anyway.
Love the track but....it's always seem s to point at Jimmy Saville ,being the grand Magus of the Royal lodge which is how he got away with crimes...clunk click every trip and ..this is the age of the train......head of broadmoor.uks top high security mental hospital prison for the criminally insame with no medical qualifications ! He literally got away with murder ssss.
The stage show with the ballet guy shows the cripple in crutches coming alive. Orange ...house of orange. Coming from a Scottish military perspective myself ,it really points at the corruption if royal power......bottles like barely wine...early acid LSD came in ampoules ,brown is used for medications to stop deterioration from sunlight....early acid LSD ampoules had to have the glass broken at the top.
The white collars may refer to the essence of the preist who pollutes shirts with his touch ,most preists and masons are nonces ......to me this is Jimmy......check the record check the guys track record.... probably only Tony Blackburn ( nonce) and Terry Wigan had a longer career as a BBC DJ..
See also Prince Buster, "Skahara":
My interpretation of the comp title was that "Hip Priest" was designated the title track and "Kamerads" were the other, supporting tracks also originally released on Kamera records, hence "Kamerads." I don't think that it's a total stretch to suggest that the title is also phrased as a cheeky reference to the Bubble Puppy record, given the identical scansion and vowel placement (even if not a perfect rhyme). Or it could be complete coincidence.