Smile
Lyrics
Tight faded male arse (2)
Decadence and Anarchy
He said, he smiled
Something to dance to
A certain style
Smile!
Smile!
Smile!
Smile!
Meat Animals
Smiled!
Smiled!
Patchwork jacket, from the top of his ears
Shaved
Relation with fellow age group, and opposite birds (3)
Smiles!
Wants anarchy
Smiled!
He raises club nerve and poses
Physical awareness
Smiles!
Take the chicken run, take the chicken run (4)
To the toilet
In the above, designed from above club
Makes ginger (5)
"Go on, you can do it!"
Smile!
Smiles!
Wants anarchy
Smiled!
Is the fungus damp in the cellar?
Positive G.B.H. (6)
Smiled!
With his friends, smiles
Ask for cigarettes
Smiles!
Take it down... (7)
Sparks off
Repeal gun laws in my brain
Sparks off
Give us a gun if I got one
Damn!
Grin
Damn
Grin
UP UP UP UP UP UP UP UP UP UP!
Smile!
Smiled!
Would ask for a "fag" in Texas (8)
Smiles
Desires travel
Well fed in welfare way
Smiles!
Smiled!
Smiles!
Lousy celebrity makes record
Lick-spittle southerner
Waiting for next holiday by gas miser (9)
Smiles!
Smiles!
Positive G.B.H.
Roar, encore, special vexation process
Tight faded male arse, decadence and anarchy he said
He smiles--
Smile!
Smiled!
Well fed in roman nero way like the way you imagined
In the roman nero films (10)
Notes
1. A few comments from the author may be found here:
Smith: "The lyric was aimed against the cocktail clubs that were on the rise, then." Was it also about a particular type of person, I asked. "Yes, about the hypocritical type that says he wants anarchy but are in fact very bourgeois. I now have the luxury of not hanging around with them. Those people didn't even like our music that much, but they hung around all the time anyway."
See the readers' comments below for some good theories about whom this is about.
John Howard suggests that the song is at least partly inspired by Lou Reed's "Smiles" from Growing Up In Public. Some lyrics:
Smiles, they all smile on tv/The quizmaster with his withered crones/The talkshow hosting movie stars, the politician licking feet/The mugger, the rapist, the arsenic lover/All smile out from the news, at one time or another/Those smiles, those garish sickly smiles
According to Martin, these lyrics, more or less, "are present in the very first performance of the song (21 March 1983 The Venue, London) with an extra line about "firegun restrictions". There's also a mention of David Bellamy, who is an environmental campaigner and botanist: 'David Bellamy, lousy celebrity, makes record, smiles!'"
2. From Paul Hanley's Have a Bleedin Guess (p.143, note 124):
a reference to Karl's somewhat distressed black canvas jeans.
(Thanks to Dan)
See note 8 below.
3. "Bird" is English slang for a woman; it is never, or almost never, used in the US, but is commonly known here, I think. Since we already know the subject of the song is male, "opposite birds" seems like a redundant phrase, but it could perhaps use more unpacking. My first impression is that it's a tongue-in-cheek permutation of "the opposite sex," and maybe there's an implication that the "birds" are younger (in conjunction with "fellow age group," with maybe an extra twist making a pun on "fellow" vs. "bird[s]"), but it's possible there's more to it. Dan suggests it could also mean relations with "birds" are "opposite" to those with "fellow age group," i.e. not so good (though it doesn't entirely make sense to contrast these two categories which would presumably overlap).
4. A chicken run is an outdoor yard for chickens. Here it perhaps suggests a crowded, and perhaps dirty, club.
Ex-worker says "when I was a kid a 'chicken run' was a dare to run across the road in front of a car; I always took that line to be something like that, our hero needs the toilet but risks some unspecified threat on the way there. I think there's a Christopher Priest short story from the 70s called 'Chicken Run' on that car theme." Indeed one of Priest's early stories is called "The Run," and uses the phrase "chicken run" in just this way. So this may be what's intended here.
Do I Have One? adds "This song reminds me of nightclubs I used to go to in the 80's, very violent and dodgy places. Going to the toilet was one of the most dangerous parts of being there, as you had to leave the safety of your mates and usually came across someone wanting to fight. Also fits in with 'raises club nerve and poses' [three lines up]."
Dan submits:
Another angle on "chicken run".
From the entry on "Temperance Bars in East Lancashire" in Alcohol and Temperance in Modern History: An International Encyclopedia, edited by Jack S. Blocker, David M. Fahey and Ian R. Tyrrell. ABC-CLIO, 2003 (p.611):
Temperance bars played an important role in the social life of these hard times. Children started working in the mills at eleven years of age, working long hours. Six days a week was the norm for a long time, until Saturday working was reduced to mornings only. There was therefore very little time for recreation, little money to spend, and few facilities where boys and girls could meet. There were youth clubs, but public houses were not an option. And so a tradition developed where youth would walk up and down the main street on Sunday evenings after church. This was known variously as the "monkey run", the "chicken run", or the "rabbit run". Various acts of Parliament forbidding unlawful assembly were used to prevent young people from standing around in groups. If policemen saw a group forming, they would move the young people on. In turn, they would go to the only places open on a Sunday evening, the temperance bars.
So perhaps the sense of "chicken run" in the lyric is similar to this - the journey to the toilet is a kind of promenade, a display.
And, from the poem "London" from the blue lyrics book (see full text at note 8 below):
His mind is Parisien
Fifties situationalist
And neath his designs
You have no choice
Stay where you are
He's looking down on you
From his tech drawing board
Take the chicken run!
Run to the bog!
5. A mysterious phrase; it could mean he slept with someone with red hair.
6. In English law, "G.B.H." means "grievous bodily harm." A punk band of that name was formed in 1978, with the name inspired by the singer's trial for the offence that bears the acronym; the backronym "Great Britain Hardcore" has also been attributed to the band.
7. An instruction to the band, who (only just) comply without showing much enthusiasm for the idea.
8. "Fag" means cigarette in England, but it means something else in Texas.
From Paul Hanley's book, Leave the Capital, p.176-177 (for what it's worth, we shouldn't assume Hanley is right about the reference to Burns):
'Smile' featured a semi-affectionate pen portrait of Karl Burns's indiscreet personality and dress sense - 'Would ask for a fag in Texas' could go on his gravestone.
From the Orange lyrics book: "Would ask for a lager in the town of Auschwitz." George Cochrane adds:
"MES adds some curious lyrics in a performance at The Palace, Hollywood, CA 3/22/85. 'Crimson/sparks off/repeal gun laws/student/death/grin/he'd ask for a fag in Texas [U.S. audience very much gets the joke, and audibly responds]/order a lager in a town [whispering] Auschwitz.'"
10. Dan thinks the most likely reference here is Quo Vadis (1951) with Peter Ustinov as Nero. He wasn't a fatty exactly, but he looks well fed (see More Information below).
More Information
The poem "London" from the Blue Lyrics Book:
Decadent backbone of former empire
Spittle chin southerner looking forward to next holiday
Digitale Croydon, fourteen pound per hour
An immigration backlash type situation here
And theres an Indian clerk in the backroom
With a Literature degree
His boss is a flat roofed architect
Over bathed, intense
Project Victoriana Punish
His clothes are flappin United Nations
Japanese pants, odd boots,
Euro shirt
Is No shirt!
His mind is Parisien
Fifties situationalist
And neath his designs
You have no choice
Stay where you are
He's looking down on you
From his tech drawing board
Take the chicken run!
Run to the bog!
You can do it!
Do not
Warning!
Rumours of grey cancer builders
Greatly exaggerated
Peter Ustinov as Nero in Quo Vadis:
Comments (84)
"Well fed in welfare way", not "a welfare way"
"Lousy celebrity makes record" not "joke record"
and the last line is:
"In the Roman Nero films", not "In the roman and nero kodak films"
I think the above is not the original album version.
http://www.discogs.com/label/426724-Smile-Studios
"Take the chicken run to the bogs"
"Spittle-chin southerner waiting for next holiday"
"Neath his designs you have no choice...He is looking down on you from his tech drawing board" - which seems to echo the reference to "the above, designed from above club" in 'Smile'.
'London' also describes a character in motley dress, whose "mind is Parisian - 50s Situationalist". A portrait of Malcolm McClaren? Maybe the pseudo-anarchist pop svengali is the one who 'designs from above'.
"David Bellamy, lousy celebrity, makes record, smiles!"
(Possibly referring to a song called "Brontosaurus Will You Wait For Me?")
Smiles, they all smile on tv
The quizmaster with his withered crones
The talkshow hosting movie stars, the politician licking feet
The mugger, the rapist, the arsonic lover
All smile out from the news, at one time or another
Those smiles, those garish sickly smiles
"Could be that song, but if it is that means MES is referencing a single released in 1980 - 3 years previous. This seems unusually long ago."
This again? Martin says he sang those lyrics. What is this "three years" stuff? "Jerusalem" was a century and a half!
"Kodak films" and a lot of that other stuff is from the orange book. If I get a minute and feel patient I'll maybe list the discrepancies, but I'm starting to think that's not really that important...those books are so obviously not MES in some of the typewritten entries that it would be like saying "I know this guy who thinks he says 'kodak.' On the other hand if it's something entirely not on the record, it's possible it is MES so maybe I should...
...checking "makes ginger"/"mixed gender" (the latter seems to fit thematically)
He sang the lyrics, but was it that Bellamy record he's referring to? Bellamy was on another record (an audiobook) which came out in 1982.
In January 1983, Bellamy deliberately got himself arrested and locked up for four days in Tasmania as part of a conservationist anti-dam building campaign stunt. He appeared on the "Wogan" chat show on 19 March 1983, alongside Peter Skellern, Sir Harry Secombe, and Jon Voigt, just a couple of days before the live debut of this song. Maybe he talked about making records?
But having said all that, I've just double checked the dates.
Discogs dates the Brontosaurus song to 1980. And the images of the record have (c) 1980.
But.
The Official UK Charts site dates it to 1983.
http://www.officialcharts.com/search/singles/brontosaurus-will-you-wait-for-me/
So my instincts were correct, this seems to be contemporary reference. It just seems the dating is a bit confused. A re-release?
It's an appealing thought, but I think it's anachronistic. I cannot find any references to "mixed gender" toilets c.1983. They were "unisex" then.
https://www.discogs.com/Mike-Croft-Chris-Croft-The-Dinosaur-Record/release/1739636
The discogs entry for Bellamy's version has a 1980 release date, but this is clearly wrong - the copyright date is the date of the original songs.
Always thought this was a carp at Joy Division's Still. From joydiv.org:
Groove notations (UK edition):
"The chicken won't stop" (side A), chicken tracks across the grooves (sides B & C), "The chicken stops here" (side D).
"The chicken won't stop" is from the Werner Herzog "Stroszek" movie.
Being charitable, maybe a dig at the more, uh... overwrought JD devotee rather than JD themselves.
The "chicken" thing on Still refers to the film which folk reckon Curtis watched on the evening of his suicide, & near-ecclesiastical JD worship in 1983 was still a very real thing (Blue Monday?! Sell-out!! Etc). In autumn 1983, Factory had reissued Love Will Tear Us Apart on the back of Paul Young's unexpected cover version and it was back in the top 40, leading to various music paper retrospectives and the preparation of Mark Johnson's ludicrously awestruck JD biog Ideal For Living. So if playing Still with a sense of reverence = watching the chicken run, then the bathetic punchline "...to the toilet" is just a raspberry in the face of Factory apologists & Curtis cultists.
Typing it all out there, it does now seem specious, admittedly. But it's what went through my mind when I first heard PBL back in 1984, a few months after release - if it's bolleaux, it's at least not retro-conned hindsight bolleaux.
I think we need to bear in mind what a "chicken run" is. It's a caged, fenced or otherwise enclosed area outside a chicken coop (the indoors area). So I suppose the question is, is this a pun of some kind? To me, it suggests a design feature of a building/club - a kind of corridor to the toilets, maybe the toilets are outside, even. Could be somewhere very specific. But "chicken" might be intended in the sense of cowardice - might fit since there's the "club nerve" line a few seconds earlier. So maybe it signifies an escape from the club.
Dan
There are other bits and pieces as well, maybe they're just suggestive.
Slits? Ari Up - Lydon
But it should also be noted that first bit of the entire line "Relation with fellow age group, and opposite birds" doesn't seem to make grammatical sense either. "Relation with"? Might suggest good relations with people of the same age, but an oppositional stance towards "birds". Might mean "relationship" or "relations" (either in the sense of interpersonal interactions or in the sense of family member).
And perhaps "birds" literally means chickens, since chickens are also in the lyric. I don't think I believe that, but still.
Even if it is about Lydon though, Ari Up seems like a stretch. There must be all kinds of opposite birds Lydon had/has some sort of connection to...
No, you've not missed anything. I'm asking what reason there is to think the whole song is about Lydon/McLaren.
But it also has these lines, which also echo this song.
Which echoes the lines "In the above, designed from above club".
He raises club nerve and poses
Physical awareness
Smiles!
Take the chick and run, take the chick and run (3)
To the toilet
always thought those were the real lyrics; chick's a pun on 'birds,' but i'm from canada, where chick is a slightly derogatory term for women (like babe, or girl)—is it the same in the uk? if that does parse, it looks like he's steeling his nerve in some grungy pub, artificial smile rictus plastered on face, to try and get laid:
Makes ginger (5)
"Go on, you can do it!"
again, slightly sketchy on my english slang, but don't you fellas also use 'makes' as a term to mean getting with someone? ("i made a sexy blonde in the bar last night.") makes ginger means he's used the phony smile to get with a redheaded lady (or maybe man, what with all those cigarettes)—"go on, you can do it!" would be his friends egging him on, or perhaps himself trying to build up courage with an internal pep-talk.
as with all fall lyrics i am convinced of absolutely nothing i've just said.
I'm glad you dig the site, thank you!
From Paul Hanley's Have a Bleedin Guess (p.143, note 124):
From the entry on "Temperance Bars in East Lancashire" in Alcohol and Temperance in Modern History: An International Encyclopedia, edited by Jack S. Blocker, David M. Fahey and Ian R. Tyrrell. ABC-CLIO, 2003 (p.611):
So perhaps the sense of "chicken run" in the lyric is similar to this - the journey to the toilet is a kind of promenade, a display.
You could read the lyrics in the opening section as the 1982 Australian nightclub incident that inspired Riley's Jumper Clown from MES's perspective if you wanted to. Riley's jovial and personable character irritated MES, hence 'Smile.' The dancing/night club references. MES thought Riley's punch was cowardly - 'take the chicken run" - but he knew Riley felt it was justified by MES's dictatorial behaviour, so the punch could have been 'positive GBH' as far as Riley was concerned. Meat, animals could be a reference to Riley's vegetarianism. 'Shaved' because Riley/Scanlon/Hanleys had all had a shave by now after making a beard growing protest at the beginning of the tour (described in Steve Hanley's book). The bits of the lyrics that appeared in the poem titled 'London' in the blue book that Dannyno referred to make me think of the London references in Middle Mass, which may also be about Riley.
If the lyrics are about Rikey, there is also an irony about the track that appeals to me. The malevolent atmosphere created by the track is 50/50 between music and lyrics. MES generally had nothing to do with the music, although he would have suggested modifications/enhancements etc once the musicians brought tunes to rehearsals. The tense and brooding music might have been itself engendered by MES sacking Riley, who was a childhood friend of 3/4 of the musicians who created it.
I guess the first thought here is that it's the Roman Emperor Nero. Which is probably right.
But I like to test these things.
Could it be a role played by Robert De Niro? A reference, perhaps, to the 1981 film True Confessions, where he plays a (Roman) Catholic priest? Probably not!
There's also the overweight detective Nero Wolfe (https://en.wikipedia.org/wiki/Nero_Wolfe), a TV adaptation of which was on screen in the UK at least during 1982. But I see no "Rome" connection, so let's rule this out too.
So what film does MES have in mind?
The most famous film about Nero is I guess Quo Vadis? (1951), in which Nero was played by the arguably well-fed Peter Ustinov. I think this fits perfectly.
It was most recently shown on the ITV network on 24 December 1980. But of course it's well-enough known that a current showing wouldn't be required. General knowledge, innit?
The Haçienda has been mentioned.
Just to note, because we haven't here, that the cocktail bar downstairs at the Haçienda was called the Gay Traitor (after relatively recently-unmasked Soviet spy Anthony Blunt).
Of course the Haçienda's name is based on a situationist slogan.
The Haçienda was designed by Ben Kelly (https://en.wikipedia.org/wiki/Ben_Kelly_(designer)).
Kelly was born in Yorkshire, but was working in London at the time.
Could pursue this line of inquiry for more connections, but MES does refer to cocktail clubs in the plural...
Seems to fit in context, this image of someone hunched over their gas fire waiting until they can go on holiday.
According to the book Always under Pressure: A History of North Thames Gas since 1949 by Malcolm E. Falkus (1988):
They would be fitted into what would previously have been a coal fireplace. Many of them were still in use many years later.
However, I'm struck by the existence of the "London" poem (see comment #44), reproduced in the Blue Book, which does contain "chicken run". Of course, it could be word play.
And the patchwork jacket bit makes more sense if you parse it;
Patchwork jacket.
From the top of his ears, shaved.
Like a 1983 tears for fears haircut